And now we’re back to one of those who on earth thought up these topics moments, because today’s meme is: “Movie Seen More Than Ten Times.” I can safely say that I’ve seen about two-thirds of the movies I’ve discussed in the last month more than ten times each. It’s something I do, watch a movie I like so much again and again, usually something like every day for a week or two until I’m finished with it. Now, usually it’s mainly the highlights; there may be some awesome action scene, an incredible dramatic moment, or a brilliantly funny comedy sequence that I just have to dissect and absorb until I’ve had my fill. You can mock me if you feel it’s necessary, but then we probably won’t be friends.
Thus, picking a movie to talk about here isn’t a slam-dunk. I decided instead to highlight the two most favored of my favorites (that is, after His Girl Friday), to which I return year after year, and the first is the movie which has probably been a favorite for the longest, The Sure Thing. It’s been said that John Cusack is underrated, but this movie is too, relegated to the status of other 80’s teen-romp comedies. To be fair, Cusack did in fact make a few of those, and they’re definitely varying degrees of lame, but The Sure Thing is far out of that league, as well as out of the confines of the decade that spawned it. I’m not saying there aren’t some cringe-worthy fashions in it, along with the requisite pop music from the time, but it’s as timeless as any of those movies can get, and it’s mainly because the story itself is. This is likely because it is in fact a remake-slash-homage to the other film that rounds out my top three favorites, It Happened One Night.
It actually took me years of loving both films to notice the connection, because it really is subtle. It Happened One Night was a pioneer in the realm of the Romantic Comedy and is one of the greats to which hundreds of movies that followed have aspired. Panned by critics at its release but driven to box office success by the star-power of Gable and Colbert, it was the first film to sweep the top five categories at the Academy Awards. Reportedly, many of those same critics took a second look once they saw how it was resonating with the public, and to their credit, most changed their tune. It was the little movie that could, and the masses knew something good when they saw it. Many people now claim it’s one of the early Screwball Comedies, but regardless, it spawned imitators for decades to come.
The Sure Thing hearkens back to the time when two strong characters could drive a story and come together in the end without losing parts of themselves. Both are road pictures, and both deal with what happens when the world-wise meets the educated and refined, but they’re great love stories too, demonstrating the learning experience that is every relationship. The message of both is that a fulfilling relationship is one where each challenges the other and neither stops growing. In both, the two have to rely on each other to get through the obstacle course that leads back to where they were going, separately, at the beginning of the story. But somewhere along the way what they want changes, and they begin to love the journey for the company they’re keeping.
Both films have fantastically episodic structures that can be broken down into a series of “bits.” There’s the Show Tunes Scene and the Bar Scene in The Sure Thing; likewise, there’s the “Walls of Jericho Scene” and the Piggy-back Ride Scene in It Happened One Night. In the latter, Peter instructs Ellie on the correct method of dunking a doughnut, while in the former, Gib teaches Allison how to shotgun a beer. Both pairs hitchhike hilariously, get disastrously caught out in the elements with no shelter, and each of the men saves their companion from the lecherous attentions of a fellow traveler. Both Allison and Ellie loosen up in the process, but Peter and Gib refine and soften their hard edges too.
But neither film is presented in a romantic comedy vacuum. It Happened One Night is not just set against the backdrop of the Great Depression, but informed by it. We don’t forget that the disparity between the backgrounds of our hero and heroine mimics the very real class warfare and struggle to survive that was going on outside the movie theater. The Sure Thing is not so serious in contrast, but book-ended by the creative writing course they share in college, it’s a compelling look at how life experiences inform one’s art, and an argument that one of the basic functions of school is to find just who we really are. Gib finds out what kind of girl is really his type, and Allison chooses adventure over the five-year-plan.
Believe me when I say that these two make the best double-feature ever. I highly recommend you try them together with the yummiest of munchies close by. You’ll probably find yourself returning to them, as I do, again and again.
Gayle, you picked my go-to movie that I pull out of my DVD collection more than any of my others, including “Animal House” or “The Godfather”. I can leave it on a loop all day, and just listening to the dialogue makes me very happy. I’ve long contended this is an underrated gem and that it should not even be included in the 80s Teen Flick genre. The title of the film probably hurt its chances of being taken more seriously, but I constantly show this to people, and it blows them away every time. Yes, it has drinking and partying, as well as some outlandish sexual antics (mostly Gib’s roommate), but it also has a very strong moral and emotional center that few films about college (or in general) ever have. The first years of college are all about defining the kind of person you want to be, and both Gib and Allison think they’ve already got it all figured out. It’s great to watch their little ideas about the world slowly crumble because of the other’s influence, and it’s by far the most realistic aspect of the story. Clearly, neither character has spent any real quality time with a member of the opposite sex, even though Allison thought she had; Jason, the guy who probably eats paste, has always provided the mature adult template for men that she bought into, and it’s evident from their well-written solo interactions that she’s never noticed that Jason was an uptight, uncompromising stuffshirt who never listened to her. Gib had also allowed his more sensitive personality to be dominated by his more outgoing best friend, and once again, he doesn’t realize it until he’s finally had some outside experience and perspective. Suddenly, the meaningless drinking and skirt-chasing has lost its allure when a much more real, mature version of life has presented itself.
There are so many things about this movie that I just love, from all the little set pieces you described – especially the “Show Tunes” torture provided by Tim Robbins and Lisa Jane Persky – but it’s the committed performances by Cusack and Zuniga that really take this to a higher level. Their non-verbal acting is as good as it gets in this movie, as their emotional changes are really captured in their faces; the disappointment, the confusion, and the blissful awareness of really liking and caring about someone for the first time in their lives.
If anyone reading this has yet to see this movie, I second Gayle’s recommendation and urge you to run out and grab the DVD. You’ll laugh, you’ll cry, you’ll learn to shotgun a beer!
Tully! Knew you’d be with me on this one.
What I probably appreciate over everything else I love about it is how it all makes Gib a *better writer.* That gorgeous ending monologue read by the brilliant Vivica Lindfors is extraordinary because it shows his growth emotionally, but also as an artist. There’s an emotional investment in his work; he’s gone out on a limb for Allison, but also to the rest of the class listening. What an incredible way for a movie to show the change in a character! “Do you love me, she whispered… Do you love me?” Oh, it’s so, so, good!
This, along with Fandango (and I’m pretty sure you’ve said you’re with me on that one too) are films that look, on the surface, like so much less than they are. It’s unfortunate, but it’s fun to introduce people to them and have them experience them as a pleasant surprise. I’ve done that a lot in the last twenty years or so. The Sure Thing is a classic, and should be as revered as It Happened One Night…
I absolutely cherish them both tremendously.